
Not too long ago, journalists Eric Vespe (formerly of Ain’t It Cool News, among others) and Scott Wampler (formerly of birth.movies.death, among others), got together to discuss an idea that would evolve into “a Stephen King podcast for Stephen King obsessives.” The Kingcast invites guests from the entertainment industry to discuss the King novel or short story of their choosing, along with the film or television adaptation of that work.
Over the past few months, The Kingcast has hosted a variety of guests, including Mike Flanagan (Doctor Sleep) discussing 1408, Elijah Wood discussing Misery, Karyn Kusama discussing Carrie, and Damien Echols (who was wrongly convicted and jailed for murder largely due to his interest in heavy metal and horror) discussing the Dark Tower series.
Recently, the co-creators and hosts were kind enough to answer a few questions for Cemetery Dance.Continue Reading


I first heard of and begin reading fiction from John Skipp and Craig Spector in the mid-1980s. That era is still my favorite period of the horror genre. Thanks to Stephen King, horror had been doing pretty big business, but by 1986 things were really getting wild. For most people it all started with Skipp and Spector’s The Light at the End, a new kind of horror novel, and a vampire story for a hip young readership.











Of the countles sub-genres of horror, body horror is one that I don’t often turn to. There’s just something too real, too personal about it. Sure, a madman wielding a weapon is scary, but you can (unless he’s teleporting Jason Voorhees) theoretically escape from that. You can’t, however, run from a horror that’s coming from within your very own bones, your blood. Author Chad Lutzke doesn’t have such reservations. As a matter of fact, he got into body horror as a kid, courtesy of the 1965 horror flick 